A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:

from their second album on WHARF CAT RECORDS (US).
Now, I suggest listening to their debut

AMERICA FUCK is the duo of dark electronic artist Lana Del Rabies – who sings and plays synth bass – and Brian Miller from such great bands as
Foot Village – a drum-n-shout assembly,
Gang Wizard – psychedelic experimental krautrock, new album out now and it’s astonishingly fuckin’ good,
and True Neutral Crew – the Deathbomb Arc Records experimental hip-hop supergroup. He plays drums and electronics.
And every song is a manifesto spiced with thoughts of French sociologist Marcel Mauss
„What is „society” for me?… Historically, kingdoms and empires have rarely been the most important reference points in peoples’ lives. Kingdoms rise and fall; they also strengthen and weaken; governments may make their presence known in people’s lives quite sporadically, and many people in history were never entirely clear whose government they were actually in.” And so on
digital album on electro industrial dance noise hip hop experimental label
Often there is nothing good when old punk bands reunite, but now

THE CRAVATS – from Redditch, England, where the National Needle Museum is – released a bunch of 7″ and two LPs between 1977 and 82 mainly by Small Wonder Records.
After broke up the guitarist and the bassist/singer formed the Dadaist post punk band The Very Things which ended in 1988.
On Rebellion Punk Festival in 2009 The Cravats stood on stage again, and have started to play live.
And now after 37 years, they will release their 3rd album DUSTBIN OF SOUNDS on Overground Records (UK).
It is a sax-riddled, bass-laden Dadaist weirdness, and „as always, it’s unique” – said the singer The Shend, and also told: “Music should always be passionate, preposterous, atmospheric and above all entertaining. We fulfill the remit”.
Just like Pere Ubu and The Tiger Lillies but totally different
Do you know Luca? The colourful Italian musician from The Ultra Twist, Trio Banana, Trans Upper Egypt, Duodenum, Centauri, and RAWWAR? Who also is a visual artist who made clips for Ty Segall, Thee Oh Sees, Country Teasers and a lot of others. And has collages too:

I tried to continue to play with bands in Rome: Trans Upper Egypt, Trio Banana and Duodenum, but it was too difficult, so I quit TUE, ‘cause I didn’t enjoy more. Trio Banana is on-standby, we never really quit but we can’t play together now. But Duodenum is a very hard band to play often.

Number 71 Monobanda, the man who plays with me, got many bands too, and he lives between Napoli and Rome. Very hard to meet each other in a year, but we are like brothers, so for us play is something more than make gigs and shows. Duodenum will never quit.
In Milano I have started my solo project Tab_ularasa 2-3 years ago. I did many records and tape and maybe too many gigs around Italy. That’s my main project now, and I’m working on a new record. It will be very experimental and different from records done before. Hope to finish soon and to put out it after summer.
Tab_ularasa make punk/folk for children and crazy people. I play alone only with guitar and sing very weird songs in Italian. In the end of 2016 I have gone back to my countryside in Tuscany and I will stay here this year.
PALI: You have got a new band RAWWAR after Trio Banana split.
LUCA: Like I said before, Trio Banana never really split and maybe we will play in the future, but not now. But Trio Banana’s drummer Gabriele Doctor Dead and I never stop to play. When I come back to Rome we play in a rehearsal room. At the start we didn’t want to make a new band to make gigs but only keep to play together, have fun, write new songs and make records.
PALI: You and Dr Dead from Trio Banana, but who is your second guitar player, please introduce him!
LUCA: After few practices we did 9 songs and a cover (Don’t Make Me Kill Again from Urinals) then we decided to make records. I spoke about that with Michele Zufux from Ferrara, one of my best old friend from Ultra Twist time. He was in a fucking great band called Larsen. They’re almost unknown, but for me Larsen is one of the best Italian bands ever. Now he plays in For Food and Dead Horses also from Ferrara, different style of music but really great stuff. We spoke in chat about that, I sent him our songs, he liked them so much that I asked to join us with his guitar to record. We were in Ferrara on a weekend last October. We never play together before, and we recorded three songs of the 1st RAWWAR tape. It was a magic day, we did everything live with only two microphones like a live gig, so we were lucky too.

Some week later Alessandro, a new friend from Teramo, did a very great master and we put out the tape on Bubca Records last March. We wanted to make a 7” but was not money, and maybe there would have been even no sense, ‘cause we don’t play so much live. We live far each other and even here in Italy the situation is quite sad for a band who play garage/punk… There is a kind of little “mafia” to book gigs, and obviously we’re not inside that stuff. The bigger festivals prefer to give a lot of money to American mythological dead bands from the 90s instead to make a cool garage/punk underground festival with new bands. They live in the past. Here in Italy the majority of “underground” people live in the past. This is not punk/rock for me. I always hope to discover, listen and see new bands. Otherwise I’m just so happy to make this tape, to play music with my friends and that’s all. If people will ask us to play it would be better, but if not, nessun problema, we will keep playing in some garages that we enjoy much than play in a shitty venue or festival.
PALI: Not long ago RAWWAR put out its debut tape on your own Bubca Records. Those three songs remind me something like Cheater Slicks between Country Teasers and a bit like early Demon’s Claws. It’s rawer and more direct and less psychedelic than TRIO BANANA was. What do you think?
LUCA: From the start Gabriele and I wanted to make something more weird and repetitive like the old blues/punk stuff. The bands that you mentioned are some of my favorites, but we have tried to find our way to play RAW the primordial blues like did Cheater Slicks, Country Teasers and Demon’s Claws. We like so much Can’s first album, Velvet Underground’s weird stuff, Gun Club. We love too Neu, Oneida’s first records and so many other stuff, but when you make music you have to try to find your own way.
PALI: Please talk about the process of recording. I think you like to do everything as basic as you can.
LUCA: Sure! We recorded in this way ‘cause we did not even time to make it in a different way. I didn’t recorded RAWWAR, Mauro from For Food & Dead Horses helped us and Michele did the rest. We used a cheap multitrack recorder with two mics and we set the level of sounds just before start. I have learned lo-fi tricks from Falconx, the guru who has made my theremin and recorded many garage records in the 80s. If you want warmer sounds and really feel the people’s energy who play then the best way to record everything live, even the voice too. Sure it’s more difficult, ‘cause you have to know and try where put the mics, how sounds moving at the place where you record, and mostly you have to be lucky because when you play at high volume you can generate shitty feedbacks and distortions. Here in Italy we said “La Fortuna aiuta gli audaci”, I think in English they say: “Fortune favours the bold”, and maybe there is a Hungarian version too. (Of course: „Bátraké a szerencse.”) This time we were very lucky… hope next time too.

PALI: And your copy technic is unique I think hahaha! Do you buy some shitty tapes on a flea market and copy your music on it? How do you do this?
LUCA: Almost from the start, Bubca Records make tapes using second hand/recycled tapes. Now vinyl seems new fashion. There are some shitty dynamics to make it but if you don’t book a Euro tour it does not make a sense at all to print it. Making tapes it’s a kind of new little fashion, but it seems like to live in the past. CD is dead, the new world goes in a different way. Maybe we should discover new way to pass underground music. The task of the avant-garde in art has always been be ahead, but now young people make new stuff and invent things from very young age for multinational factories. The few people who make true DIY garage/punk stuff are like dinosaurs. We are dinosaurs, we’re going to extinct soon. I don’t care about that, I’m keeping to make my stuff but I hate nerd punks who think that the old way to make records is the True & Sacred. They are the Worst! For me, make records with second hand tapes is a kind of ironic action, and I don’t want to pollute the world with new plastic too, the worlds is already polluted enough. I find tapes in some flea markets and when I duplicate stuff I do not delete the end of the original music, so if you don’t like RAWWAR you can listen Laura Pausini, Tiziano Ferro, Adriano Celentano or classic music. Cheers!
PALI: You do all of artwork as well. Do you have got own copy machine?
LUCA: Yeah, I make artwork, collage or draw for my records. If I make a record for other bands I always ask them about the artwork, if they do not want to make it, then I do it. Almost all old Bubca Records stuff is a B/W xerox copy, but we did some colour cover too. Our first coloured cover was made for the first Trio Banana EP “Baby Save My Soul”. If a collage or a draw is colored we keep it coloured. I don’t have own copy machine, I just go to a cheap copy shop. To get a copy machine and buy ink is more expensive.
PALI: You booked last year a mini tour for The Rebel. How was that? What kind of guy Ben Wallers? I think he is one of the weirdest guys nowadays in the R’n’R underground. Is it right?

LUCA: Make a tour with Ben was one of the best things done last years. Ben is not so weird as he seems, he’s very kind, smart and cool guy. Making music is the most important thing in his life, like for me, so we have become true friends. I hope to make new tour with him sooner or later.
PALI: Please talk about the last few Bubca Records release!
LUCA: We’re not so active now as we were before, but I’m trying to keep Bubca alive. Before RAWWAR, the last record was Pist Idiots, an amazing new young band from Australia. I love them!
PALI: What are you main active project now?
LUCA: Main project is my solo project Tab_ularasa, but I hope to play more often with RAWWAR, Centauri and Duodenum. I enjoy more playing in a band that alone.
PALI: Please recommend us few cool Italian bands what are active now and you really like!
LUCA: My favorite Italian band is For Food from Ferrara. I love them from the start, they play furious noisy post punk music. Great songs, great atmospheres. They are true friends. Their first record is a masterpiece.
PALI: Future plans with RAWWAR? Anyway it’s a cool name! So rad.
LUCA: The name of the band was an idea from Michel. I suggested The Hobos but that sucks. Gabriele got no idea about that. Michele told us RAWWAR and then we were thinking: “AMAZING!!”. You can say RAWWAR like the lion of Metro Goldwyn Mayer does before an old Hollywoodian movie: ROUUUAURRR!!!
PALI: What’s your favorite local liquor?
LUCA: My favorite local liquor is a kind of stuff that you drink here after eating a lot. It’s called Nocino. It’s a walnut liquor made by monks, but not easy to find real Nocino. The best I had was in Teramo countryside last week!
Thanx Pali, I hope to come back soon in Budapest to play.
When Luca played first time there with The Ultra Twist at RNR666 party

Allegedly NO POP is more serene than its predecessors.
But what we wrote about them during the years:
Hollandazde LP 2011: “Allegedly the styles return 20 years after. So – if you didn’t recognize it – the 90s are came back. By the way, we continuously repeat ourselves from the creation. Just our instruments are altered. ”
Better EP 2013: „Industrial surf gaze experimental cold wave disco “punk or whatever i feel. Another fantastic Canadian band.”
Hard Boiled Soft Boiled album 2014: „The chaos keeps growing. Er industrial grunge experimental cold gaze “punk or whatever i feel.”
Post Plague album 2016: „Canadian chaos brigade Odonis Odonis has come back with his psychedelic electro industrial post punk music.”
On the new album they stripping down instrumentation to a handful of synths and an electronic drum kit. The music is a dancefloor friendly blend of hard-hitting industrial, techno, and noise
NO POP out on 22 Oct on Telephone Explosion (Can) and Felte Records (US)

motorfűrész nem zúg erre
humusz hullik tobe hooperre

1. A Country Teaser, Ben Waller as The Rebel just do the same thing alone
THE REBEL (UK) – POEM WITH WATER TRILOGY album on MONOFONUSPRESS (US)
2. Her first EP was released by Nick Cave…

SHILPA RAY (US) – DOOR GIRL album on NORTHERN SPY RECORDS (US)
3. TY SEGALL (US) – FRIED SHALLOTS 12″EP on DRAG CITY (US)
4. Guadeloupe’s first rock musician, Fred Aucagos recalls: “I was a student in Paris in the early 60s”, recalls Fred Aucagos, Guadeloupe’s first rock musician. But I didn’t go much in class, I was hanging out with Golf Drouot, with Eddy Mitchell, Johnny Halliday, Dick Rivers… When I went back home in January 1966, I brought back on the island the first reverb amplifier and the first electric guitar. I was yé-yé, I wanted to play this music home.”
DISQUE LA RAYE – 60’s French West Indies Boo-Boo- Galoo V/A album on BORN BAD RECORDS (F)
5. PinkLips delivers eclectic sounds that vary from Tori Amos and PJ Harvey to the Buzzcocks with a bit of 70’s Soul.
PINKLIPS (US) – PINK IS THE NEW F**K YOU album on PINKLIPS RECORDS (US)
PinkLips are very underground

6. KUUDES SILMA (SF) – PELKO album on SVART RECORDS (SF)
Members of the band with their friends and fans

7. Less noise more roll. Mike Blaha from Blind Shake in solo
BLAHA (US) – FRESH HORSE EP on SLOVENLY RECORDS (US)
8. Magic beasts and haunted churches
AINE O’DWYER (ÉIRE) – GALLARAIS album on MIE MUSIC (UK)
9. “The ideas and visions for Urarv started actually back in 2003 during a stay that I had at the local mental institution where I live. (…) We want to tap into uncharted territories to see what lies hidden under the rocks and dead horses and beneath the cold vastness of uncertainty (…) We’re traveling to remote regions of metal music and mental space with this music. Although our message is one of emotional putrefaction, we want to help listeners find a way through the black hole.”
URARV (N) – AURUM album on SVART (SF)
10. Garage-psych-rock grrls
THE DARTS (US) – MEOW album on DIRTY WATER RECORDS (UK)
11. Her voice is helium-spiked cotton candy while Matt’s baritone provides robotic sharpness. Lily – from experimental punk trio Palberta – finds inspiration in the works of Arthur Russell and Guided by Voices while Matt cites young Ry Cooder, old George Jones, and 4th dimensional Donald Fagen.

LILY AND HORN HORSE (US) – NEXT TO ME album on RAMP LOCAL RECORDS (US)
12. drummer of Liturgy, Zs, Guardian Alien, solo album
GREG FOX (US) – THE GRADUAL PROGRESSION album on RVNG INTL (US)
13. Fronted by The Puddle (Flying Nun) mainstay George D. Henderson–formerly of eclectic, late-’70s DIY pioneers The Spies (Siltbreeze) and And Band
THE NEW EXISTENTIALISTS (NZ) – 7″ on SPACE CASE RECORDS (NZ)
14. Warped pop and shitty hits
KATIE VON SCHLEICHER – SHITTY HITS album on GRAPEFRUIT (US) and FULL TIME HOBBY RECORDS (UK)
15-16. Psych-noise-punk mixed with rotten Italian blood. Highly damaging!
HALLELUJAH (I) / INUTILI (I) split album on IN THE SHIT (I) and AAGOO RECORDS (US)
17. „Blurry mirages lead through the dreary barren of existence”. Punk hardcore from a little Hungarian countryside town Mezőtúr
RÁKOSI – VI album
18. Finally and sadly from a relatively new album. It was released in February this year by French chanteuse Barbara Weldens. She was electrocuted and died on stage at Leo Ferre Festival in July this year. She was habitually barefoot on the stage and something went wrong.
BARBARA WELDENS – LE GRAND H DE L’HOMME


AUG 12 BUDAPEST TITKOK KAMRÁJA
A KONCERTET AZ UTOLSÓ PERCBEN ÁT KELLETT HELYEZNI. AZ EREDETI EVENT, SOK-SOK INFOVAL.
Kibaszott jó lesz.
Fellép a ROUND EYE, a Stooges szaxofonosának utolsó bandája. Meglepő módon Shanghaiból, ahol kétszer is az év zenekarának választották őket. Zenéjük annyira eklektikus és szórakoztató, akár Mike Patton zenekara, a Mr. Bungle, csak vitathatatlanul punk. A csapat tagjai ott élő amerikai zenészek, meg egy olasz muzsikus.
A ROUND EYE története 2010-ben kezdődött, mikor Chachy az amerikai álmot kínaira cserélte, és egy nagy ugrással Floridából Shanghaiba termett, ahol megalakította kínai zenekarát. Amerikai zenekara a Libyan Hit Squad sem volt egyszerű eset, bár az is vitán felül punk volt, de olyan hatásokkal, mint a jazz dobos Buddy Rich, a free jazz alapvetés Ornette Coleman, vagy a hard rock Blue Öyster Cult. A ROUND EYE erre rátesz még két lapáttal, amiből valami elképesztő hc punk jazz ska rock and roll doo wop blues surf bolondéria kerekedik ki:
Első albumuk készítése idején csatlakozott hozzájuk a Stooges szaxofonosa, Steve Mackay, aki velük csinálta élete utolsó turnéját és lemezét, aminek megjelenése után négy hónappal elhunyt, de játéka még az idén megjelent második ROUND EYE albumon is hallható.
Ő egyébként úgy került a Stogees-be, hogy Iggy Pop látott valahol Detroitban játszani egy dob/szaxofon duót, és két nappal a Fun House lemez felvételeinek megkezdése előtt megkérte a szaxofonost, Steve Mackay-t, hogy csatlakozzon zenekarához. Eképp instruálta:
– Azt szeretném, hogy játssz úgy, mintha te lennél Maceo Parker, csak LSD-ben.
Maceo Parker akkoriban James Brown szaxofonosa volt.
MEG LESZ MÉG A CHICAGO BULLS, egy ironikus sax’n’thrash csapat Pécsről, mely néha még a Bizottságot is eszembe juttatja:
meg RNR666 DJs, és számtalan békés és barátságos pillanat.
A BELÉPÉS DÍJTALAN, AZ ADOMÁNYOKAT MEGKÖSZÖNJÜK!
FIGYELEM! A beágyazott ROUND EYE videó végén a gép feldob még nyár közepi franciaországi koncert felvételeket! Azokon jól látható, hogy mi várható. És itt van még két érdekesebb videó a sok közül.
A Suntan azt figurázza ki, hogy a kínaiak meg vannak veszve a fehér bőrért. Az, az igazán szép. Meg az előkelőség, a gazdagság jele. Annyira, hogy napsütéses időben elnéptelenednek a parkok. Annyira vigyáznak rá, nehogy úgy nézzenek ki, mint egy mezei munkán sült paraszt:
Aztán ott van Phenjan, Észak-Korea két és fél milliós fővárosa, ahol nincs éjszakai élet. Itt is klipet forgattak. Persze engedéllyel, és csak engedélyezett felvételeket készíthettek. És kísérő nélkül sehova se mehettek:
„A többieket vártuk egy templom előtt. Nem messze tőlünk néhány gyerek tájképeket festett. Az lett a furcsa, hogy a képeken nem változott semmi. A gyerekek száraz festékbe mártogatott száraz ecsettel simogatták a megfestett képeket. Bazmeg, én legalább fél órán át keresztül néztem. Ahogy eljátsszák nekünk, hogy gyerekek festenek az utcán.”
„Egyszer őrizetbe vettek minket. Azért mert Kim Ir Szen – A Nemzet Napja, Az Örök Elnök – és fia, Kim Jong Il – A Vezérlő Nap Sugára, A Párt Örök Főtitkára – mauzóleumában a cipőtisztító automatát fényképeztük.”
További ROUND EYE koncertek a környéken: augusztus 13. Szeged – Jazz Kocsma. 14. Nagyvárad – Moszkva Kávézó. 15. Kolozsvár – La Tevi. 16. Szekszárd – La Palm Beach. 17. Győr – valahol.
BÁLNA
undorító, retkes bálna
tokióban hentes várja
infrahangon ordibálja:
ő a gólem, ő a bálna
úszik egyre, fial borjat
bálnamészárszék a sorsa
tonnás teste vízben vacog
bűzös zsírja ízes vajon?
húsa omlós-e vagy mégse
eldönti a japán mérce
tapogatja sárga végtag
apró most, mi egykor rém nagy
kis belekben lomhán úszik
de jót lehet tőle púzni…

Kép: Japan Times

1 & 8. BURROUGHS reads his favourite parts from Naked Lunch while KING KHAN (CAN/GER) with a bunch of musicians including Australian garage rock band The Frowning Clouds and jazz guitarist Bill Frisell:
Let Me Hang You cassette on BURGER RECORDS (US)
2. This is the intro of debut album Fly Or Die of American avant-garde jazz trumpeter and composer JAIMIE BRANCH. The last song also from this album. Out now on International Anthem Records (US)
3. PIKACYU-MAKOTO, Japanese acid pop duo, one from „ultra-lunatic duo” Afrirampo, one is the leader of Acid Mother Temple. Just like Boris, Melt-Banana, Takako Minekawa, OOIOO. Galaxilympics album on UPSET THE RHYTHM (UK)

4, Among my favourites there is TERRY, an Aussie indie pop supergroup. Members from UV Race, Total Control, Dick Diver, Constant Mongrel, Lower Plenty, Mick Harvey Band. Second album Remember Terry on UPSET THE RHYTHM.
5. „Like a fuzzy, psychedelic train ride melting into a mini rock opera that ends in a voodoo drum ritual!” All songs written by one of best Swiss garage rock and rollers THE JACKETS and King Khan. 7″ single on VOODOO RHYTHM (CH)
6. RIPS from Brooklyn. Exactly like the Parquet Courts. Debut album on FAUX DISCX (UK)
7. If you like the music of Philip Glass or Michael Nyman you will say yeah:
Poiemusia La Nau Dels Argonautes album by Spanish composer PEP LLOPIS from 1987. Re-issue on FREEDOM TO SPEND (US)
9. NY No Wave Disco by COLA LEAF with members of Destruction Unit, Uniform, the Men, Merchandise, Ukiah Drag. Deep Marble Sunrise album on WHARF CAT (US)
10. Canadian TEENANGER 5th album is „a record that combines all of punk’s best sub-genres: art-punk, post-punk, ambient-punk, synth-punk, peace-punk, garage-punk, bunk-punk, punk-core, plaid-punk, nu-punk and of course, punk-punk,” but also indie-pop-punk, so their music is not a simple thing. They described their sound as „somewhere between a dead cat and scrumming raccoons.”
Out now on TELEPHONE EXPLOSION RECORDS (CAN)
11. ROUND EYE, Chinese ex-pat jazz punk rock and roll mad house from Shanghai. Second album Monster Vision featuring Stooges saxophonist Steve Mackay and horror movie show host Joe Bob Bridge on SUDDEN DEATH (Can)
They are on EURO TOUR >>
AUG 12 BUDAPEST > RNR666 NIGHT OF INTERNATIONAL PEACE AND FRIENDSHIP
12. Retro Space Pop by BENNI, New Orlanes punk organist, member of Natural Child, Wizzard Sleves, 9th Ward Marching Band. Debut solo album on GONER (US)
13.

– Your new single off of the new album Summer is a little more pop than we expected.
– Don’t worry, the words are still super dark. 🙂 The rest of the album is the same mixture of dark nostalgic dance . . . or something.
And those super dark words are in Russian on Minneapolis band STOLYETTE‘s new album Summer by TOTALLY GROSS NATIONAL PRODUCT (US). Quotation from a short interview on Secret of The City
14. CAKES is an Aussie two piece alternative post punk band. „Love for energetic and experimental music.” Debut 7″ single out now. 15 copies.
15. Synth-pop in Venom T-shirt
DIGITAL LEATHER (US) Pink Thunder album on FDH (US)
16. Dark country hard rock and roll on acoustic guitars and drums
THE YAWPERS (US) Boy In A Well album on BLOODSHOT RECORDS (US)
17. Just like a drunken boat
London honky tonkers HONKIES debut cassette single

18. SUICIDE GENERATION (UK) debut album on DIRTY WATER (UK)
19.
I was working in the front of the office’s big glass window when the new SHARP printer/copier machine has arrived. The workers put it right before the same old one. On that day it was raining. And through the leaky roof raindrops fell on the new one. It was covered with plastic film.
Since then three months passed. The new machine is right before the old one. And if it is raining, they cover it with plastic film.
It is happening in the UK, where TDA debut album Certain Standards To Maintain has been released on PERMANENT SLUMP
20. Swiss cinematic rock and roll band CATS NEVER SLEEP debut album Massage on LE POP CLUB RECORDS (F)
21. A fuckin funny anthem from the fuckin funny album How To Slip Away with many fuckin guests by fuckin ZACH PHILIPS , ex-OSR Tapes (US)
*
szipákol a zombinép
romerojuk most kilép

Kevin Barnest, az of Montreal fejét hálistennek nem nagyon kell bemutatni, főleg mivel teljesen hibbant és eklektikus zenéje a 2007-es Hissing Fauna, Are You The Destroyer című lemez idején a teljes zenei sajtó figyelmét magára vonta.
Másrészt az of Montreal 20 éves pályafutása során volt már neo-pszichedelikus barkács zenekar, színpadi elemeket sem nélkülöző barokk pop produkció és a közelmúltban még EDM hatások is megjelentek lemezeiken. A folyamatos megújulás ellenére az of Montreal mégis abszolút felismerhető jelenség – bár sajnos a lemezek minőségi kiegyenlítettségéről kevesebb jót tudnék mondani, azért a nagy számok törvénye szerencsére az of Montrealnak is kedvez.
Ennyit az értelmes bevezetésről, kezdhetünk is hangolódni a hétfői A38-as koncertre!
>>Olvass tovább!<<