A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:
In 1931, the Republic Bank of Dallas fails. Among the executives there is John Lomax (1867-1948). He lose his job, like many others in those days. Originally he is an English teacher and folklorist, previously he was full professor at Texas A&M University (Agricultural & Mechanical), later worked as a member of administrative staff at University of Texas, and was co-founder of Texas Folklore Society. He is a nation-wide known figure owing to his anthology of cowboy songs and folk ballads.
In sight of his father’s depression his eldest son encourages him to begin a new series of lecture tours about American folk music. In the course of this they go to New York and Washington. Lomax concludes agreements with a publishing house and the Library of Congress. For the latter he takes to make field recordings on him. In the summer of 1933 his expedition starts. His youngest son, then 18 years old Alan go with him. Go after sounds to plantations and farms, at juke joints and penitentiaries. At Angola Prison Farm in Louisiana he discovers twelve-strings guitar player Lead Belly, who has been sentenced for attempted homicide in a knife fight. In 1934, after his release he become driver and assistant of Lomax’s next round. He gets publicity and recording contract through Lomax, and finally become one of the most influential blues musicians. Just very few names who covered his songs: Abba, Nick Cave, Rod Stewart, Led Zeppelin, Bob Dylan, Frank Sinatra, Johnny Cash, Nirvana, The Fall, Brian Wilson, Tom Waits.
And there is the infamous Parchman Farm in Sunflower County, Mississippi. There he makes recording with Bukka White (1909-77), who has been imprisoned for shooting assault. Parchman Farm Blues about the hard times was written by him, but this is „When Can I Change My Clothes”, because there’re old pictures from the farm
„Most of the guards were untrained men, employed because they knew how to ‘handle and drive niggers’. We saw with horror that there were sadists among them who took pleasure in persecuting, beating, and torturing the helpless prisoners. We did meet sincere, kindly men trying to better the lot of the prisoners, but they were hampered by the limitations of the institution itself. A report in the New York Post confirms my own impression of a generation ago: ‘The state penitentiary system at Parchman is simply a cotton plantation using convicts as labor. The warden is not a penologist, but an experienced plantation manager” – said Alain Lomax. Also here were inmates such famous murderers as Son House (self-defense, pistol, 1902-88) and R.L.Burnside (dice game, pistol, 1926-2005). And there were many nameless prisoners whose songs has been recorded by the two Lomax
1. Bama – I’m Going Home 2. Bama – How I got in the penitentiary (interview) 3. 22 and Group – When I Went to Leland
Bama – How I got in the penitentiary: Well, boss, the way I got in trouble the first time: the folks was barin’ me, and I cut and shoot a feller up. So, I just got in the penitentiary and just worked and worked and worked so much. I had to work. Cut up the fellow, shoot’um up. And then, when I got out of the penitentiary, I thought I had worked enough, and I decided I could make my livin’ without workin’. And I commenced with puttin’ pistols on folks. And that wouldn’t do. And I commenced to stealin’ everything that wasn’t hot and nailed down. And the polices commenced to runnin’ me every whichaway – every way I turn. So, after I got’um started runnin’ me, I just kept on doing wrong – fightin’, stealin’ – you know – an’ robbin’. And sometimes I wouldn’t (doing) be nothin’ but I’d been doin’ so much ’til that when they’d get me, I’d due to been got anyhow. An one, two time they ‘rrest me, an’ I told’um I hadn’t done nothin’, an they said, „Arrest you in egvance – you gonna do sumpin’.” So that way I just stayed in the penitentiary all the time, boss. In and out, in and out, for the last 18 years.
Alan Lomax (1915-2002) , after death of his father in 1948, continued his father’s mission. He introduced Woody Guthrie, Lead Belly, Pete Seeger and others on radios and in concerts and records. His big fish was Mississippi Fred McDowell (1904-72). He also went after songs to the Caribbean, Europe, and North Africa. “Neighborhood investigation shows him to be a very peculiar individual in that he is only interested in folklore music, being very temperamental and ornery. … He has no sense of money values, handling his own and Government property in a neglectful manner, and paying practically no attention to his personal appearance. … He has a tendency to neglect his work over a period of time and then just before a deadline he produces excellent results” – was written by an FBI agent, for Alan Lomax was observed as a supposed Communist between 1940 and 1980.
44 songs from his Parchman Farm recordings between 1947-59 on 2CDs with 124-page hardcover book have been released this month by Dust-To-Digital. These Negro work songs are perfect for your everyday job.
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essence of delta blues by rnr666
1. American traditionalist: Luke Winslow King – Levee Man (Bloodshot Records)
2. Portuguese onemanband: Legendary Tiger Man – Dance Craze (Metrodiscos/ Sony Music France)
3. French Cramps: Vagina Town – Ecstasy (Kythibong)
4. Canadian chaos brigade: Odonis Odonis – Breathing Hard (Buzz)
5. San Franciscan eclectic pop: Deerhoof – Exit Only (Polyvinyl)
6. “It’s noisy, with keyboards, you wouldn’t like it”: Gentle Friendly – Autumn Nite (UK, Fat Cat)
7. Scottish electronic pop: Jonnie Common – Crumbs (Song By Toad)
8. Swiss funeral folk: The Dead Brothers – Black Mouse (Voodoo Rhythm)
9. Greek psych garage rock: Acid Baby Jesus – Vegetable (Slovenly)
10. English countryside doom surfers: The Wytches – Gravedweller (Heavenly/ Partisan/ Dine Alone)
11. American chamber pop: Saul Conrad – Bumbling Fool (Mountain of Leopard/ Cavity Search)
12. Experimental pop by Chinese American guitarist and Japanese j-pop diva: Dustin Wong & Takako Minekawa – She He See Feel (Thrill Jockey)
13. Swiss-Canadian art punk or not: Peter Kernel – It’s Gonna Be Great (free digital single)
14. Oakland punks also not dead (just all the Ramones): Hard Left – Ghosts of Princes in Town (Future Perfect)
15. Mix The Fall with Velvet Underground: Parquet Courts – Always Back in Town (US, What’s Your Rupture?)
16. Hungarian catch as catch can: Terrible Ted – Singularity (digital album)
17. Hungarian historicist and liturgic garage rock: Gustave Tiger – Mary of the Seas (digital album)
18. Aussie synthethic punks: Ausmuteants – Freedom of Information (Goner/ Aarght)
19. Canadian garage punk: Teenanger – Mild Survival (Telephone Explosion)
20. Almost forgotten English art punkers whit a French girl: Family Fodder – Savoir Faire (song from 1980, re-issue by Staubgold)
21. Notorious English art punkers: The Fat White Family – Touch The Leather (Hate Hate Hate)
22. Good old Swiss garage rock brothers: Roy & The Devil’s Motorcycle Club – I’ll Sing You a Song (A Tree In The Field)
Aussie psychedelic indie garage rock band Blank Realm shares a free bootleg from their recent Brisbane’s show.
Jonathan Kingsley Seilman, musician, arranger and producer from Nantes, known for his previous project, This Melodramatic Sauna, and its collaborations with The Patriotic Sunday, Birds Are Alive, and Sieur & Dame, etc. His brand new band is Le Feu, a collaboration with My Name Is Nobody, Binidu and Fordamage members. The most simple phrase is: indie pop, but French, because I like it better
Is This Love?
from the album Playgrounds and Battlefields

Easy Aussie pop music by Hierophants, their single will be released on such great garage rock and punk labels as Goner (US), Goodbye Boozy (I) and Anti-Fade Records
The members also are in Ausmutenats (synth-punk) and Frowning Clouds (psychedelic garage folk rock)
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Most fashionable garage rock from the end of the 60s. I can’t compare them to no one, so much not, that I have successfully discovered the Sex Pistols, the Clash, even the Joy Division in their music, but they haven’t to do with these, because they rather tell about Chuck Berry, John Lee Hooker, Rolling Stones or Jesus & Mary Chain (!?), but let’s say, you mix the Stooges with Black Lips, grate a Spanish male singer with twang in it, and sprinkle lot of vocals on it. This is the essence of Davila 666 from Puerto Rico. I have written it when they played in RNR666 Party in Budapest some years ago. Posthumous single collection on LP, CD and cassette on Burger Records (US)
Charlie Megira is a highly talented Berlin based Israeli guitarist. He has released some different style albums under various monikers in the last few years. His music ranges from 50s style surf rock and roll through dark wave to garage rock.

– I grew up in the 70s and was surrounded mostly by traditional Moroccan music and on top of it all my father still owned a very nice records collection of popular music in the likes of Elvis Presley, RitchieValens, The Platters, Buddy Holly, Little Richard, Bill Haley, James Brown, The Temptations, Santana, some disco records like Boney M and ABBA. I can also recall some Sanremo records and Julio Iglesias, Johnny Holliday, Nino Ferrer and so on… A beat later I also used to hang out with my older cousin that introduced me to some rock music like Whitesnake, Iron Maiden, Scorpions and more. I remember I once asked him why all those bands are wearing dirty and ripped cloths, I thought they were poor and maybe could not afford to buy nice cloths… Anyway I really got into this heavy rock and also liked Bob Marley a lot.
I was a very good student and a talented swimmer
nem lesz több gyertya a tortán
– gondolhatná gera zoltán

There’s an American experimental-rock duo Ahleuchastistas, which named himself from a Charlie Parker song, and a Swiss musician Antoine Lang, who works with human voice and electronic devices. They together are the Blind Thorns. Heavy listening
self-titled album on Cheap Satanism (Belgium), Tandori (France), Offset (Italy) and New Atlantis Records (US)
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Pastilla, Mexican guitar pop from Los Angeles
„Sentidos Saturados” cassette EP on Burger (US)
Swiss independent label A Tree in a Field Records is hitting you this time with a triple reverb attack from Roy & the Devil’s Motorcycle. The four piece around the three Stähli brothers unveils a most unpolished garage/basement sound on their new 7 inch single I’ll Sing You a Song. The title track and Sweet Reputation both lead us back to good old Velvet Underground but with an unmistakable 21. century appeal and a juvenile charm.
After switching to another side (and to a speed of 33 rpm) things get a bit peculiar with Rock’n’Roll Soldier – it’s a bright psychedelic tune infused with traditional reggae sound. It made me ponder a bit about this strange combination, although I’m aware that this is far from unprecedented… Actually, the term Jamaican fusion sounds like a horrible idea in theory (with numerous mainstream examples supporting this notion) but if you consider Bad Brains, Serge Gainsbourg or Polish post punk pioneers, Brygada Kryzys for example, the outcome can be the coolest thing ever. Roy & the DMC’s effort is by all means within the cool league!
Order the vinyl from A Tree in a Field Records and check it out for yourself!

Rock? Yes. Indie? Absolutely. Punk? Of course. Parquet Courts is a punk band, but an Exploited fan spits on it. The music of Content Nausea album is a mix of Velvet Underground and Fall under pseudonym of Parkay Quarts. It’s a Parquet Courts’ side project.
on What’s Your Rupture Records? (US). In Europe it’s available on Rough Trade (UK)
Parkay Quarts Euro Tour in Nov